{"id":152,"date":"2022-10-20T10:46:46","date_gmt":"2022-10-20T10:46:46","guid":{"rendered":"https:\/\/sites.uab.pt\/congresso-humanidades\/?page_id=152"},"modified":"2024-04-30T11:11:17","modified_gmt":"2024-04-30T11:11:17","slug":"livro-de-resumos","status":"publish","type":"page","link":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/encontros\/ii-encontro\/livro-de-resumos\/","title":{"rendered":"Livro de resumos"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Livro de resumos<\/h2>\n\n\n\n\n\n    <div class=\"\">\n        <ul class=\"elements row list-unstyled justify-content-center\">\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/umas-memorias-corograficas-ineditas-a-breve-descripcao-da-villa-de-cantanhede-de-manuel-joaquim-de-oliveira-almeida-vidal\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Umas Mem\u00f3rias Corogr\u00e1ficas In\u00e9ditas: A Breve Descrip\u00e7\u00e3o da Villa de Cantanhede de Manuel Joaquim de Oliveira Almeida Vidal\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431.jpg\" width=\"1982\" height=\"1982\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Fernando Oudinot Larcher\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431.jpg 1982w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-300x300.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-1024x1024.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-150x150.jpg 150w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-768x768.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1982px) 100vw, 1982px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Umas Mem\u00f3rias Corogr\u00e1ficas In\u00e9ditas: A Breve Descrip\u00e7\u00e3o da Villa de Cantanhede de Manuel Joaquim de Oliveira Almeida Vidal<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">N\u00e3o s\u00e3o abundantes as mem\u00f3rias corogr\u00e1ficas relativas a Cantanhede. \u00c9 esta escassez de informa\u00e7\u00e3o uma raz\u00e3o mais para trazer a lume a in\u00e9dita Breve Descrip\u00e7\u00e3o da Villa de Cantanhede que nos oferece nos in\u00edcios do s\u00e9culo XIX uma leitura bem mais segura de Cantanhede, do que a de Santa Marta.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Prof. Doutor Fernando Larcher<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/s-marcos-no-sec-xx-portugues-dos-meneses-aos-bragancas\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre S. Marcos no s\u00e9c. XX portugu\u00eas: dos Meneses aos Bragan\u00e7as\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/Untitled-design.png\" width=\"591\" height=\"839\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Pedro Rebelo Botelho Alfaro Velez\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/Untitled-design.png 591w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/Untitled-design-211x300.png 211w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">S. Marcos no s\u00e9c. XX portugu\u00eas: dos Meneses aos Bragan\u00e7as<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Na comunica\u00e7\u00e3o que nos propomos apresentar, procuraremos, do ponto de vista da hist\u00f3ria e da teoria pol\u00edtico-constitucionais, problematizar o lugar pol\u00edtico do Pal\u00e1cio de S\u00e3o Marcos no s\u00e9c. XX portugu\u00eas.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Prof. Doutor Pedro Rebelo Botelho Alfaro Velez<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/duas-figuras-ilustres-e-esquecidas-em-cantanhede-antonio-e-matias-de-carvalho-e-vasconcelos\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Duas figuras ilustres e esquecidas em Cantanhede: Ant\u00f3nio e Matias de Carvalho e Vasconcelos\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-scaled.jpg\" width=\"2538\" height=\"2560\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Maria Madalena Oudinot Larcher\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-scaled.jpg 2538w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-297x300.jpg 297w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-1015x1024.jpg 1015w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-150x150.jpg 150w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-768x775.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-1523x1536.jpg 1523w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_173031-2030x2048.jpg 2030w\" sizes=\"auto, (max-width: 2538px) 100vw, 2538px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Duas figuras ilustres e esquecidas em Cantanhede: Ant\u00f3nio e Matias de Carvalho e Vasconcelos<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Ant\u00f3nio e Matias de Carvalho e Vasconcelos nascem, respectivamente, em Cantanhede, em 1827, e Ourent\u00e3, em 1832, sendo ambos baptizados na igreja matriz da sede do concelho.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Prof. Doutora Maria Madalena Pess\u00f4a Jorge Oudinot Larcher<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/populacao-e-familia-em-murtede-nos-inicios-de-oitocentos\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Popula\u00e7\u00e3o e fam\u00edlia em Murtede nos in\u00edcios de Oitocentos\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/thumbnail_guimota-e1671187440523.jpg\" width=\"590\" height=\"709\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Guilhermina Mota\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/thumbnail_guimota-e1671187440523.jpg 590w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/thumbnail_guimota-e1671187440523-250x300.jpg 250w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Popula\u00e7\u00e3o e fam\u00edlia em Murtede nos in\u00edcios de Oitocentos<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">No ano de 1801, por determina\u00e7\u00e3o do Pr\u00edncipe Regente, foi organizado um \u201cMapa da Popula\u00e7\u00e3o da Prov\u00edncia da Beira\u201d. A comiss\u00e3o para o levantamento dos efetivos populacionais foi entregue \u00e0s autoridades eclesi\u00e1sticas, como era costume, por ser uma forma eficaz e menos dispendiosa.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Prof. Doutora Guilhermina Mota<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/murtede-e-enxofaes-ou-da-urgencia-em-salvaguardar-o-patrimonio-ali-existente\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Murtede e Enxof\u00e3es, ou da urg\u00eancia em salvaguardar o patrim\u00f3nio ali existente\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687.jpg\" width=\"1920\" height=\"1920\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Rodrigues Costa\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687.jpg 1920w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687-300x300.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687-1024x1024.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687-150x150.jpg 150w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687-768x768.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Fernando-20-1-2023-01-scaled-e1683560460687-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Murtede e Enxof\u00e3es, ou da urg\u00eancia em salvaguardar o patrim\u00f3nio ali existente<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">O objetivo primacial desta comunica\u00e7\u00e3o visa, mais uma vez, alertar quem de direito para a necessidade \u2013 digo mesmo a urg\u00eancia \u2013 em planear um trabalho sistem\u00e1tico de estudo e recupera\u00e7\u00e3o da hist\u00f3ria local das freguesias que integram o concelho de Cantanhede.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Mestre Ant\u00f3nio Fernando Rodrigues da Costa<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/valorizar-e-re-descobrir-o-hospital-colonia-rovisco-pais\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Valorizar e (Re) descobrir o Hospital Col\u00f3nia Rovisco Pais\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Cristina-Nogueira.jpg\" width=\"1108\" height=\"1059\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Cristina Nogueira\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Cristina-Nogueira.jpg 1108w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Cristina-Nogueira-300x287.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Cristina-Nogueira-1024x979.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Cristina-Nogueira-768x734.jpg 768w\" sizes=\"auto, (max-width: 1108px) 100vw, 1108px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Valorizar e (Re) descobrir o Hospital Col\u00f3nia Rovisco Pais<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">O Hospital Colonia Rovisco Pais (HCRP) foi inaugurado em 1947, na Tocha, concelho de Cantanhede, e adotou o nome do benem\u00e9rito que, ao deixar a sua heran\u00e7a aos Hospitais Civis de Lisboa, possibilitou a sua constru\u00e7\u00e3o.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Dra. Cristina Nogueira<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/tempo-e-paisagem-a-pedra-e-o-homem-uma-viagem-pelo-mesozoico-de-anca\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Tempo e paisagem: a pedra e o homem, Uma viagem pelo Mesozoico de An\u00e7\u00e3\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Foto-2_aapaiva.jpg\" width=\"2048\" height=\"1536\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Andr\u00e9 Almeida Paiva\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Foto-2_aapaiva.jpg 2048w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Foto-2_aapaiva-300x225.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Foto-2_aapaiva-1024x768.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Foto-2_aapaiva-768x576.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/Foto-2_aapaiva-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Tempo e paisagem: a pedra e o homem, Uma viagem pelo Mesozoico de An\u00e7\u00e3<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Desde sempre que o concelho de Cantanhede foi objeto de in\u00fameros estudos geol\u00f3gicos, sobretudo no sector sudeste, onde se insere a vila de An\u00e7\u00e3. Esta regi\u00e3o, constitu\u00edda por terrenos calc\u00e1rios, do Jur\u00e1ssico M\u00e9dio, alberga uma das unidades geol\u00f3gicas mais conhecidas em territ\u00f3rio nacional: a unidade dos calc\u00e1rios de An\u00e7\u00e3.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Eng. Andr\u00e9 Almeida Paiva<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/retalhos-da-historia-de-anca\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Retalhos da hist\u00f3ria de An\u00e7\u00e3\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/6522892-2.jpg\" width=\"295\" height=\"316\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Maria Alegria Marques\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/6522892-2.jpg 295w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2023\/03\/6522892-2-280x300.jpg 280w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Retalhos da hist\u00f3ria de An\u00e7\u00e3<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Pediram-nos para nos debru\u00e7armos sobre a hist\u00f3ria de An\u00e7\u00e3, ali\u00e1s, na sequ\u00eancia do nosso livro A vila de An\u00e7\u00e3 e o seu foral manuelino, publicado em 2009, vai quase d\u00e9cada e meia.\n\nNesse olhar, cremos que o primeiro aspecto a considerar \u00e9 destrin\u00e7ar o que \u00e9 hist\u00f3ria e o que \u00e9 lenda ou, mais que isso, liberdade po\u00e9tica.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Prof.Doutora Maria Alegria Fernandes<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/anca-terra-de-cultos-e-folgancas\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre An\u00e7\u00e3, terra de cultos e folgan\u00e7as\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">An\u00e7\u00e3, terra de cultos e folgan\u00e7as<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">A partir de 1889, ano do advento da imprensa local em Cantanhede, os jornais come\u00e7aram a servir de reposit\u00f3rio de in\u00fameras narrativas sobre o culto do povo de An\u00e7\u00e3 aos seus oragos, bem como sobre os seus desvios e as circunst\u00e2ncias culturais e socioecon\u00f3micas que os enquadravam e moldavam.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Mestre Manuel Cidalino Madaleno<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/o-marques-de-marialva-e-a-sua-escola-de-arte-equestre-de-lisboa-a-quioto\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre O Marqu\u00eas de Marialva e a sua escola de arte equestre, de Lisboa a Quioto\u00a0\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">O Marqu\u00eas de Marialva e a sua escola de arte equestre, de Lisboa a Quioto\u00a0<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Marialva, mestre picador da escola barroca de equita\u00e7\u00e3o portuguesa do fim do s\u00e9c.XVIII, influenciou a equita\u00e7\u00e3o cl\u00e1ssica na Europa, mas tamb\u00e9m no Jap\u00e3o.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Prof. Doutor Carlos Pereira<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/gravetos-da-gandara\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Gravetos da G\u00e2ndara\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Gravetos da G\u00e2ndara<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Os Gravetos que aqui deixo s\u00e3o est\u00f3rias e epis\u00f3dios aut\u00eanticos, de tempos n\u00e3o muito long\u00ednquos, que recolhi junto de quem os viveu ou testemunhou e que, na sua maioria, fui publicando ao longo de anos em jornais e revistas da regi\u00e3o. Foram agora compilados em livro, pois a G\u00e2ndara tem um vasto patrim\u00f3nio espiritual a n\u00e3o perder e h\u00e1 que o divulgar e preservar.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\"> Dr. Ant\u00f3nio Castelo Branco<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n                    <\/ul>\n    <\/div>\n    <div class=\"clearfix\"><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"Livro de resumos","protected":false},"author":1,"featured_media":827,"parent":1184,"menu_order":40,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-152","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":3,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/152\/revisions"}],"predecessor-version":[{"id":1310,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/152\/revisions\/1310"}],"up":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/1184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/media\/827"}],"wp:attachment":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/media?parent=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}