{"id":1566,"date":"2026-03-06T12:34:43","date_gmt":"2026-03-06T12:34:43","guid":{"rendered":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/?page_id=1566"},"modified":"2026-03-06T12:34:43","modified_gmt":"2026-03-06T12:34:43","slug":"livro-de-resumos","status":"publish","type":"page","link":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/livro-de-resumos\/","title":{"rendered":"Livro de Resumos"},"content":{"rendered":"\n<p>Livro de Resumos<\/p>\n\n\n\n\n\n    <div class=\"\">\n        <ul class=\"elements row list-unstyled justify-content-center\">\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/joao-de-ruao-questoes-em-aberto\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre \u00a0Jo\u00e3o de Ru\u00e3o: quest\u00f5es em aberto.\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Maria-de-Lurdes-Craveiro-scaled-e1772799852348.jpg\" width=\"1920\" height=\"1835\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Maria de Lurdes Craveiro\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Maria-de-Lurdes-Craveiro-scaled-e1772799852348.jpg 1920w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Maria-de-Lurdes-Craveiro-scaled-e1772799852348-300x287.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Maria-de-Lurdes-Craveiro-scaled-e1772799852348-1024x979.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Maria-de-Lurdes-Craveiro-scaled-e1772799852348-768x734.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Maria-de-Lurdes-Craveiro-scaled-e1772799852348-1536x1468.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">\u00a0Jo\u00e3o de Ru\u00e3o: quest\u00f5es em aberto.<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">A aten\u00e7\u00e3o historiogr\u00e1fica em Jo\u00e3o de Ru\u00e3o tem sido, sobretudo desde o olhar de Prud\u00eancio Quintino Garcia e da importante publica\u00e7\u00e3o documental de 1913, centrada no seu papel de escultor e formador de gera\u00e7\u00f5es de canteiros e lavrantes que prolongaram o sentido ornamental da arquitetura de Coimbra at\u00e9 aos in\u00edcios do s\u00e9culo XVII. S\u00f3 muito recentemente, os historiadores encetaram uma abordagem focada numa suposta aprendizagem ainda em territ\u00f3rio franc\u00eas ou num hipot\u00e9tico percurso para o sul da Europa, encontrando um fil\u00e3o que permite melhor compreender as suas origens, tanto quanto as raz\u00f5es que o ter\u00e3o conduzido a Portugal.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Maria de Lurdes Craveiro, Prof. Catedr\u00e1tica da Faculdade de Letras da Universidade de Coimbra \/ Centro de Estudos em Arqueologia, Artes e Ci\u00eancias do Patrim\u00f3nio<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/do-sussurro-da-pedra-o-retabulo-de-sao-pedro-da-se-velha-de-coimbra\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Do sussurro da pedra: o ret\u00e1bulo de S\u00e3o Pedro da S\u00e9 Velha de Coimbra\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-scaled.jpg\" width=\"2560\" height=\"1706\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Carla Alexandra Gon\u00e7alves\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-scaled.jpg 2560w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-300x200.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-1024x683.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-768x512.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-1536x1024.jpg 1536w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Carla-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Do sussurro da pedra: o ret\u00e1bulo de S\u00e3o Pedro da S\u00e9 Velha de Coimbra<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">As mais recentes obras de conserva\u00e7\u00e3o do ret\u00e1bulo da capela de S\u00e3o Pedro da S\u00e9 Velha de Coimbra permitiram observar, com outra correc\u00e7\u00e3o e detalhe, a disposi\u00e7\u00e3o, escultura e a ornamenta\u00e7\u00e3o que lhe d\u00e3o corpo.\n\nPartindo do exame emp\u00edrico, da an\u00e1lise comparativa dos elementos que comp\u00f5em a obra, bem como da sua estrutura, na rela\u00e7\u00e3o com a capela que a abriga, conjectura-se que este ret\u00e1bulo, que tem andado atribu\u00eddo a Nicolau Chanterene, possa ter sido concebido por outra equipa de artistas. Para o efeito \u00e9 necess\u00e1rio libertar o ano de 1526 (ou entre 1525-26), que tem sido avan\u00e7ado como prov\u00e1vel para o da realiza\u00e7\u00e3o do ret\u00e1bulo, mas que configura apenas o tempo poss\u00edvel, uma vez que Nicolau Chanterene sairia de Coimbra no ano seguinte.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Carla Alexandra Gon\u00e7alves, Doutora em Hist\u00f3ria de Arte pela  Faculdade de Letras da Universidade de Coimbra. Universidade Aberta; CEAACP\/UC<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/joao-de-ruao-e-as-suas-relacoes-artisticas-familiares-nota-genealogica\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Jo\u00e3o de Ru\u00e3o e as suas rela\u00e7\u00f5es art\u00edsticas familiares, Nota geneal\u00f3gica\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431.jpg\" width=\"1982\" height=\"1982\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Fernando Oudinot Larcher\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431.jpg 1982w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-300x300.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-1024x1024.jpg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-150x150.jpg 150w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-768x768.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2022\/10\/IMG_20221210_181144-1-e1675179681431-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1982px) 100vw, 1982px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Jo\u00e3o de Ru\u00e3o e as suas rela\u00e7\u00f5es art\u00edsticas familiares, Nota geneal\u00f3gica<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">Presumivelmente nascido no romper do s\u00e9culo, em Rouen como denuncia a raiz topon\u00edmica do seu nome, Jo\u00e3o de Ru\u00e3o, de cuja ascend\u00eancia n\u00e3o temos fontes geneal\u00f3gicas, encontra-se documentada em Portugal em 1528, onde certamente atrav\u00e9s de D.Jorge de Meneses, confirmado senhor de Cantanhede em 4 de Abril de 1527, se acerca das terras do Mondego, para lavrar o ret\u00e1bulo da Varziela, que ser\u00e1, na express\u00e3o de Nogueira Gon\u00e7alves, a p\u00e1gina de introdu\u00e7\u00e3o \u00e0 sua obra de Coimbra, cidade em que centrar\u00e1 a sua actividade durante mais de meio s\u00e9culo, at\u00e9 \u00e0 sua morte ocorrida na freguesia de S.Jo\u00e3o da Cruz em 28 de Janeiro de 1580.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Fernando Larcher,  Doutor pela Universidade Cat\u00f3lica de Louvain<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/a-escultura-arquitectonica-de-joao-de-ruao-iconografia-e-narrativa-geometria-e-composicao-estrategias-de-significacao\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre A escultura arquitect\u00f3nica de Jo\u00e3o de Ru\u00e3o: iconografia e narrativa, geometria e composi\u00e7\u00e3o, estrat\u00e9gias de significa\u00e7\u00e3o\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH.png\" width=\"1755\" height=\"1755\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Francisco Henriques\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH.png 1755w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH-300x300.png 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH-1024x1024.png 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH-150x150.png 150w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH-768x768.png 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/FH-1536x1536.png 1536w\" sizes=\"auto, (max-width: 1755px) 100vw, 1755px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">A escultura arquitect\u00f3nica de Jo\u00e3o de Ru\u00e3o: iconografia e narrativa, geometria e composi\u00e7\u00e3o, estrat\u00e9gias de significa\u00e7\u00e3o<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">A chegada de Jo\u00e3o de Ru\u00e3o a Portugal constituiu um importante marco para arte e a escultura portuguesa, pela inclus\u00e3o e adenda de novas metodologias e linguagens ent\u00e3o ditas ao romano.00\n\nCome\u00e7ando por ser a sua per\u00edcia escult\u00f3rica que mais o destacou \u2013 o que lhe granjeou imediata fortuna cr\u00edtica, apre\u00e7o e aceita\u00e7\u00e3o junto das elites cortes\u00e3s e religiosas \u2013 posteriormente notabilizou-se pelos seus inovadores e arrojados modelos compositivo, na articula\u00e7\u00e3o discursiva de todos os elementos estruturais e narrativos que evidenciam j\u00e1 a nova maneira.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Francisco Henriques, Doutor em Ci\u00eancias da Arte e do Patrim\u00f3nio.    CIEBA da Universidade de Lisboa.<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/o-grutesco-na-obra-de-joao-de-ruao\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre O grutesco na obra de Jo\u00e3o de Ru\u00e3o\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Gabriel-Pereira.jpeg\" width=\"1920\" height=\"1449\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Gabriel Pereira\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Gabriel-Pereira.jpeg 1920w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Gabriel-Pereira-300x226.jpeg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Gabriel-Pereira-1024x773.jpeg 1024w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Gabriel-Pereira-768x580.jpeg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Gabriel-Pereira-1536x1159.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">O grutesco na obra de Jo\u00e3o de Ru\u00e3o<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">As ru\u00ednas da Domus Aurea, a resid\u00eancia palaciana mandada construir pelo imperador Nero em Roma, permaneceram soterradas durante s\u00e9culos. Descobertas em 1488, \u00e0 \u00e9poca apresentavam-se semelhantes a uma gruta e rapidamente passaram a ser exploradas por muitos dos mais c\u00e9lebres artistas italianos da \u00e9poca. O programa decorativo presente nas suas paredes internas causou uma verdadeira revolu\u00e7\u00e3o no panorama pict\u00f3rico e escult\u00f3rico do Renascimento, com express\u00e3o m\u00e1xima nas salas do Vaticano desenhadas por Rafael Sanzio.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Gabriel Pereira, Doutorando em Hist\u00f3ria da Arte pela Faculdade de Letras da Universidade de Coimbra  e investigador no Centro de Estudos em Arqueologia, Artes e Ci\u00eancias do Patrim\u00f3nio da Universidade de Coimbra.<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/a-obra-escultorica-de-joao-de-ruao-no-contexto-das-misericordias-tipologias-modelos-formais-e-estilisticos\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre A obra escult\u00f3rica de Jo\u00e3o de Ru\u00e3o no contexto das Miseric\u00f3rdias: tipologias, modelos formais e estil\u00edsticos\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JoanaPinho.jpeg\" width=\"969\" height=\"958\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Joana Pinho\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JoanaPinho.jpeg 969w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JoanaPinho-300x297.jpeg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JoanaPinho-768x759.jpeg 768w\" sizes=\"auto, (max-width: 969px) 100vw, 969px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">A obra escult\u00f3rica de Jo\u00e3o de Ru\u00e3o no contexto das Miseric\u00f3rdias: tipologias, modelos formais e estil\u00edsticos<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">A obra de Jo\u00e3o de Ru\u00e3o, figura central do Renascimento portugu\u00eas, deu um importante contributo para o desenvolvimento arquitet\u00f3nico e ornamental das Casas da Miseric\u00f3rdia. Destacam-se n\u00e3o apenas as obras em que interveio diretamente, mas tamb\u00e9m aquelas onde trabalharam os seus disc\u00edpulos e descendentes.\n\nA par da defini\u00e7\u00e3o de algumas das especificidades identit\u00e1rias dos edif\u00edcios promovidas pelas confrarias da Miseric\u00f3rdia, o arquiteto-escultor realizou tamb\u00e9m obra de cariz escult\u00f3rico para diferentes confrarias localizadas na zona centro do pa\u00eds, espa\u00e7o no qual se regista a sua maior influ\u00eancia. <\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Joana Balsa de Pinho, Doutora em Hist\u00f3ria da Arte pela Faculdade de Letras da Universidade de Lisboa \/ Artis \u2013 Instituto de Hist\u00f3ria da Arte, Faculdade de Letras, Universidade de Lisboa<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/o-que-joao-de-ruao-viu-portugal-e-o-renascimento-no-reinado-de-d-joao-iii\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre O que Jo\u00e3o de Ru\u00e3o viu: Portugal e o Renascimento no reinado de D. Jo\u00e3o III\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Pedro-Flor.webp\" width=\"640\" height=\"800\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Pedro Flor\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Pedro-Flor.webp 640w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Pedro-Flor-240x300.webp 240w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">O que Jo\u00e3o de Ru\u00e3o viu: Portugal e o Renascimento no reinado de D. Jo\u00e3o III<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">O escultor franc\u00eas Jo\u00e3o de Ru\u00e3o, ativo em Portugal entre as d\u00e9cadas de 1520 e 1570, constitui uma figura central para a compreens\u00e3o da assimila\u00e7\u00e3o e transforma\u00e7\u00e3o das linguagens renascentistas no contexto portugu\u00eas. No reinado de D. Jo\u00e3o III (1521\u20131557), Portugal viveu um momento de transi\u00e7\u00e3o cultural marcado pelo influxo de modelos italianos e flamengos, mediado por artistas estrangeiros e pela atua\u00e7\u00e3o de humanistas pr\u00f3ximos \u00e0 Corte. <\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Pedro Flor, Doutor em Hist\u00f3ria de Arte Moderna pela Universidade Aberta. UAB, Instituto de Hist\u00f3ria da Arte da FCSH\/ UNL<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/a-capela-do-espirito-santo-do-desaparecido-claustro-da-portaria-do-mosteiro-de-santa-cruz-reconstituicao-de-uma-provavel-obra-de-joao-de-ruao\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre A Capela do Esp\u00edrito Santo, do desaparecido Claustro da Portaria do Mosteiro de Santa Cruz: reconstitui\u00e7\u00e3o de uma prov\u00e1vel obra de Jo\u00e3o de Ru\u00e3o\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Rui-Lobo.jpg\" width=\"904\" height=\"1176\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Rui Lobo\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Rui-Lobo.jpg 904w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Rui-Lobo-231x300.jpg 231w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Rui-Lobo-787x1024.jpg 787w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Rui-Lobo-768x999.jpg 768w\" sizes=\"auto, (max-width: 904px) 100vw, 904px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">A Capela do Esp\u00edrito Santo, do desaparecido Claustro da Portaria do Mosteiro de Santa Cruz: reconstitui\u00e7\u00e3o de uma prov\u00e1vel obra de Jo\u00e3o de Ru\u00e3o<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">O desaparecido Claustro da Portaria, com arcarias sobre colunas, foi levantado cerca de 1528, no \u00e2mbito da grande reforma do Mosteiro de Santa Cruz, de pendor renascentista, promovida por D. Jo\u00e3o III. Situava-se sobre o local do antigo mosteiro feminino das Donas (entretanto extinto), onde hoje se implanta o atual edif\u00edcio da C\u00e2mara Municipal de Coimbra. Entre o referido Claustro da Portaria e o do Sil\u00eancio, a meio da ala nascente daquele, situava-se a Capela do Esp\u00edrito Santo, muito elogiada pelos cronistas nas v\u00e1rias descri\u00e7\u00f5es coevas. <\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Rui Lobo, Universidade de Coimbra, Centro de Estudos Sociais (CES-UC) \/ Centro de Estudos de Arquitetura \u2013 do Territ\u00f3rio ao Design (CeArq-TD), Departamento de Arquitetura (DArq-FCTUC)<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/a-tecnica-geometrica-do-retabulo-de-santa-iria\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre O ret\u00e1bulo de Jo\u00e3o de Ru\u00e3o da capela de Santa Iria em Tomar: an\u00e1lise formal da composi\u00e7\u00e3o geom\u00e9trica oculta.\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Simone-Miranda-Arcega.jpg\" width=\"537\" height=\"608\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Simone Simino\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Simone-Miranda-Arcega.jpg 537w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/Simone-Miranda-Arcega-265x300.jpg 265w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">O ret\u00e1bulo de Jo\u00e3o de Ru\u00e3o da capela de Santa Iria em Tomar: an\u00e1lise formal da composi\u00e7\u00e3o geom\u00e9trica oculta.<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">A an\u00e1lise do Ret\u00e1bulo de Santa Iria, de Jo\u00e3o de Ru\u00e3o, evidencia a aplica\u00e7\u00e3o de princ\u00edpios geom\u00e9tricos e matem\u00e1ticos na escultura renascentista portuguesa. Escultor franc\u00eas radicado em Coimbra desde 1528, Ru\u00e3o foi respons\u00e1vel pela introdu\u00e7\u00e3o de uma linguagem classicista que funde escultura e arquitetura, respeitando os c\u00e2nones vitruvianos de propor\u00e7\u00e3o, simetria e ordem. O ret\u00e1bulo, encomendado por D. Miguel do Valle para a Capela de Santa Iria em Tomar, organiza-se em tr\u00eas n\u00edveis visuais, com Cristo Crucificado ao centro, ladeado por figuras b\u00edblicas e elementos arquitet\u00f3nicos cl\u00e1ssicos, como colunas cor\u00edntias e front\u00e3o ornamentado.<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Simone A. Simino, Arquiteta e Urbanista \/ mestranda em Conserva\u00e7\u00e3o e Restauro no Instituto Polit\u00e9cnico de Tomar<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/se-velha-de-coimbra-visita-guiada\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre S\u00e9 Velha de Coimbra \u2013 Visita guiada\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-scaled.jpg\" width=\"1923\" height=\"2560\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"Joel Sabino\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-scaled.jpg 1923w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-225x300.jpg 225w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-769x1024.jpg 769w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-768x1022.jpg 768w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-1154x1536.jpg 1154w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/JOEL-SABINO-1-1538x2048.jpg 1538w\" sizes=\"auto, (max-width: 1923px) 100vw, 1923px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">S\u00e9 Velha de Coimbra \u2013 Visita guiada<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Joel Sabino, Coordenador Hist\u00f3rico-Cultural da S\u00e9 Velha  Autor do livro S\u00e9 Velha de Coimbra \u2013 Uma viagem pela sua hist\u00f3ria, D.L.2024.<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/mosteiro-de-santa-cruz-visita-guiada\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Mosteiro de Santa Cruz, Visita guiada\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/IMG-20260309-WA0000-1.jpg\" width=\"400\" height=\"500\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/IMG-20260309-WA0000-1.jpg 400w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/03\/IMG-20260309-WA0000-1-240x300.jpg 240w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Mosteiro de Santa Cruz, Visita guiada<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Pedro Santos, P\u00e1roco da UP Aeminium<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n            \t\t\t\t<li class=\"flex-row col-12 col-lg-12 element-horizontal-view d-flex align-items-center element py-3\">\n\t\t\t\t\t<a href=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/resumo\/jeronimo-de-ruao-e-a-igreja-de-nossa-senhora-da-luz-em-lisboa\/\"  class=\"d-flex flex-column flex-lg-row align-items-center text-decoration-none\" title=\"Ler mais sobre Jer\u00f3nimo de Ru\u00e3o e a Igreja de Nossa Senhora da Luz em Lisboa\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"entry-thumbnail-wrapper-bg\"><div class=\"entry-thumbnail-wrapper\"><img decoding=\"async\" src=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/04\/Foto-Eu.jpg\" width=\"507\" height=\"509\" class=\"attachment-news-list-thumbnails-size size-news-list-thumbnails-size block entry-thumbnail img-fluid\" alt=\"\" srcset=\"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/04\/Foto-Eu.jpg 507w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/04\/Foto-Eu-300x300.jpg 300w, https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-content\/uploads\/sites\/22\/2026\/04\/Foto-Eu-150x150.jpg 150w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\"  loading=\"lazy\"><\/div><\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"element-info\">\n\t\t\t\t\t\t\t<div class=\"title\">Jer\u00f3nimo de Ru\u00e3o e a Igreja de Nossa Senhora da Luz em Lisboa<\/div>\n\t\t\t\t\t\t\t<div class=\"entry-bio my-2\">A igreja de Nossa Senhora da Luz \u00e9 um importante exemplo de arquitetura maneirista em Portugal, erguida, na segunda metade do s\u00e9culo XVI, por iniciativa da infanta D. Maria, filha do rei D. Manuel I e de D. Leonor, no local onde se situava uma primitiva ermida.\u00a0<\/div>\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<dl class=\"affiliation-wrapper align-self-end\"><dt class=\"affiliation-label visually-hidden\">Autor: <\/dt><dd class=\"affiliation-value\">Hilda Frias &#8211; Doutora em Hist\u00f3ria da Arte pela Universidade de \u00c9vora e Investigadora Integrada: CHAIA &#8211; Universidade de \u00c9vora<\/dd><\/dl>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n                    <\/ul>\n    <\/div>\n    <div class=\"clearfix\"><\/div>\n","protected":false},"excerpt":{"rendered":"Livro de Resumos","protected":false},"author":9,"featured_media":1553,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1566","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/1566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/comments?post=1566"}],"version-history":[{"count":1,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/1566\/revisions"}],"predecessor-version":[{"id":1567,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/pages\/1566\/revisions\/1567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/media\/1553"}],"wp:attachment":[{"href":"https:\/\/sites.uab.pt\/cantanhede-historia-arte-e-patrimonio\/wp-json\/wp\/v2\/media?parent=1566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}